Monday, June 14, 2010
Keys used in Crysis War
For elevator1-Markel's elevator- "P" for elevator to go DOWN and "N" for elevator to go UP
For elevator2-Kerr's elevator- "T" for elevator to go DOWN and "Y" for elevator to go UP
Ps*elevator goes from office down to meeting spot
Link to SketcuUp Model : http://sketchup.google.com/3dwarehouse/details?mid=87275fe1c6a5419d60e4715ba703cdf9&ct=mdsa&prevstart=0
For the submission
1.Mash Up of 3 News Articles
2.18 Sketch Perspectives (one point perspective, two point perspective)
4.SketchUp model that includes the TWO elevators and dinning table (Link to SketchUp Model File)
5. Real Time image captures showing 2 draft Crysis Wars Environments (First & Final draft)
6. Real Time Image captures of the developed Crysis Wars Environment
7.Fully developed Crysis Wars Environment (Link to Crysis War File, rar file or zip file)
Ps*Please visit other pages that begin with EXP3 for more details about the experiment
Thursday, June 10, 2010
The idea of the POWER is that it is the ability to control or/and change people or things. I focus on the design of the bridge that influences all other element in this environment. The design of the bridge was constructed of two fundamental shapes that create the most object in this world, straight line and curve to represent the common power that exist in the society which is power of media and publicity.
"The TWO Office Spaces"
Miranda Kerr's Office Space
The two office spaces are the reflection of the bridge. The design of the offices was taken from the bridge to convey the influences that shape their design. Kerr’s office inherits the “straight line” shape from the bridge. It represents the modern and simple style which is reflects on Kerr’s personality and style. The key idea is that the bridge controls the design of the office as the power shape individual’s personality and style.
Angela Markel's Office Space
"The Meeting Point - Dinning Area"
The meeting area is where Kerr and Markel share their experiences of being influenced by the power of media and people. As they are both the people that publicity are focusing on therefore this power would be significant factor that shape their personality and style. The table design is the combination of straight line and curve to show the influence from the bridge. Also sit right in the middle between the two spaces.
"The TWO Elevators"
The elevator transforms all of the changes and influences that Kerr and Markel being affected by the power as they will be exchanged and share by the two clients. The design of the elevator then inherited from the design of the office base on the straight line and curve shapes. The elevators also move parallel to the bridge as it is the reflection of the bridge that symbolize the “power” that effect Kerr and Markel.
Some different views from the model....
The draft contain the bridge, two office spaces,two elevators and dinning table in meeting spot....
The two office spaces are being place in the bridge at the end of both side this is to show the idea of the powe that expand to both side of the bridge and go to the office spaces.
After the the texture being applied.....
The dinning table, meeting point is located under the shelter next to the bridge. ( The position of the meeting point will be adjust later on when export model in to the Crysis War environment)
The kinear and rotaitonal textures are applied into the bridge as the bridge allow for the linear movement and the part of rotation movement. Also the similar in shape and style.
Markel's evelvator is applied by the uniform texture as the elevator is moving in uniform movement (same acceration and speed)
Omnidirectional Movement Texture
The texture that also represent the derection of the power that going into the object is represented by omnidirectional texture as the it is being applied to Mirranda Kerr's office showing the affection of power from different direction i.e. surrounded environdment (people and media power)
Linear Movement Texture
The texture is applied on Kerr's elevator to show the movement of the elevator in linear straight line.